The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
- Created by
- Robert Cahen
- Origin
- FR
