Mark Rappaport

Mark Rappaport, a native of New York, worked as a film editor before making his own films, including The Scenic Route (1978), Impostors (1980), Postcards (1990) and Exterior Night (1994). His fictional film-essays include Rock Hudson's Home Movies (1992), From the Journals of Jean Seberg (1995) and The Silver Screen / Color Me Lavender (1998). Many of his articles on cinema have been published in Trafic over the years, as well as in Cinema. The spectator who knew too much is the first collection of his writings. In 2008, his photomontage film was screened for the first time at the Lincoln Center in New York, as part of the New York Film Festival. Mark Rappaport currently lives in Paris.

On screen

  • Tati vs. Bresson: The Gag
  • Debra Paget, For Example
  • Mark Rappaport: The TV Spin-Off

Behind the camera

  • The Marriage of Greta Garbo and Sergei Eiseinstein
  • Martin und Hans
  • Rope’s End
  • Love in the Time of Corona
  • The Stendhal Syndrome or My Dinner with Turhan Bey
  • Anna/Nana/Nana/Anna
  • Last Year in Dachau
  • Will Geer: America's Grandpa
  • Conrad Veidt: My Life
  • Sergei/Sir Gay
  • The Empty Screen
  • The Double Life of Paul Henreid
  • Private Screenings
  • Debra Paget, For Example
  • Chris Olsen: The Boy Who Cried
  • Tati vs. Bresson: The Gag
  • Our Stars
  • The Vanity Tables of Douglas Sirk
  • The Circle Closes
  • Max & James & Danielle
  • Becoming Anita Ekberg
  • Flower Girl
  • Jean Seberg
  • John Garfield
  • The Silver Screen: Color Me Lavender
  • From the Journals of Jean Seberg
  • Exterior Night
  • Rock Hudson's Home Movies
  • Postcards
  • Chain Letters
  • Mark Rappaport: The TV Spin-Off
  • Impostors
  • The Scenic Route
  • Local Color
  • Mozart in Love
  • Casual Relations
  • Mur 19

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Mark Rappaport · moviemoood