Ernie Gehr

Ernie Gehr

"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.” (from NYTimes profile by Manohla Dargis.  Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)

On screen

  • Chambers of Time
  • Huge Pupils

Behind the camera

  • Carroll Gardens
  • Creatures of the Night
  • South Station
  • What’s Up!
  • High-Wire Act
  • Medicine Cabinet
  • Pedestrian Activities
  • Lisbon Views
  • Floating Particles
  • Undertow
  • Back in the Park
  • New York Central
  • Mirror of Dreams
  • Through the Hoops of Time
  • Delirium
  • Flying Over Brooklyn
  • Mechanical Magic Lantern Slides II
  • Construction Sight
  • Aproposessexstreetmarket
  • Circling Essex Crossing
  • Autumn
  • Street Scenes
  • For the Birds
  • Sensations of Light, #7
  • Sunday in Paris
  • Better than Ever
  • Bon Voyage
  • In Slumberland (Thanks to Winsor McCay)
  • Transport
  • Auto-Collider XX
  • A Commuter's Life (What a Life!)
  • Photographic Phantoms
  • Brooklyn Series
  • Winter Morning
  • Departure
  • 20 Little Films
  • Brewster, MA
  • Crystal Palace
  • Thank You for Visiting
  • Auto-Collider
  • Chambers of Time
  • Picture Taking
  • Surveillance
  • ABRACADABRA
  • Waterfront Follies
  • Shadow
  • Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows
  • Precarious Garden
  • Essex Street Market
  • Workers Leaving the Factory (after Lumière)
  • Noon Time Activities
  • Greene Street
  • Passage
  • Cotton Candy
  • Modern Navigation
  • Glider
  • For Daniel
  • Side/Walk/Shuttle
  • Rear Window
  • This Side of Paradise
  • Signal - Germany on the Air
  • Along Brighton Beach Avenue
  • Mirage
  • Untitled
  • Table
  • Behind the Scenes
  • Eureka
  • Shift
  • Lisa and Suzanne
  • Still
  • Serene Velocity
  • History
  • Field
  • Reverberation
  • Transparency
  • Wait
  • Morning

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Ernie Gehr · moviemoood