Kazimierz Karabasz

Kazimierz Karabasz

Kazimierz Karabasz (Polish pronunciation: [kaˈʑimjɛʑ kaˈrabaʂ]; May 6, 1930 in Bydgoszcz, Poland – August 11, 2018) was a Polish documentary filmmaker. A graduate of the Łódź Film School in 1956, he also taught the documentary programme there for many years. Although his work is now rarely seen, his most famous film, a ten-minute documentary short entitled Muzykanci / The Musicians, is an extra on the Criterion Collection edition of Krzysztof Kieślowski's film The Double Life of Véronique. Kieślowski, whom Karabasz mentored, chose this as one of his personal all-time top ten films in a 1992 poll conducted by the film magazine Sight & Sound. Karabasz is known in Poland for influencing generations of documentary filmmakers to come with his approach to filmmaking called "school of Karabasz" (Polish: szkoła Karabasza). The style focuses of regular people's lives and requires a perspective of an observer with zero impact on the observed object. Muzykanci is considered a textbook example of "Karabasz school". The method was especially popular in the sixties and associated with the œuvre of Władysław Ślesicki, Andrzej Trzos-Rastawiecki, Krystyna Gryczełowska and Danuta Halladin among others.

On screen

  • Still Alive: A Film About Krzysztof Kieslowski

Behind the camera

  • For Example, 9 Grzybowska Street
  • Remembrance
  • Material Test
  • Summer in Zabno
  • Two of Us
  • Punkt widzenia
  • A Year in the Life of Franek W.
  • On the Threshold
  • Birds
  • Where We Live
  • The Musicians
  • A Bit Different World
  • People on the Road
  • A Day Without Sunshine
  • From Powisle
  • People of the Vacant Area
  • Where the Devil Says Goodnight
  • Day In, Day Out

Pick up exactly where you left off.

Tick an episode and the rest sorts itself out: what is waiting tonight, what airs tomorrow, what you abandoned two years ago. And under every episode, what other people made of it, without ever spoiling what comes next.

Create an account

Free, no ads.