Chantal Akerman

Chantal Akerman

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

On screen

  • Chantal Akerman: Always on the Road
  • In Her Own Words
  • Autour de La Folie Almayer
  • Son chant
  • Morceaux de Cannes
  • Delphine and Carole
  • Porto
  • No Home Movie
  • But Elsewhere Is Always Better
  • I Don't Belong Anywhere: The Cinema of Chantal Akerman
  • What Is Cinema?
  • Chantal Akerman
  • My Mother Laughs Prelude
  • Guest
  • Chantal Akerman, From Here
  • Maniac Summer
  • The Art of Time
  • Interview with Babette Mangolte
  • Interview with my mother, Natalia Akerman
  • Down There
  • Chantal Akerman, an autobiography
  • Making of Tomorrow We Move
  • From the Other Side
  • Chantal Akerman by Chantal Akerman
  • The Day When...
  • Birth of a Nation
  • Pictures of Europe
  • The Ministries of Art
  • One Day Pina Asked...
  • Calling the Shots
  • Seven Women, Seven Sins
  • Portrait of a Lazy Woman
  • Mallet-Stevens Street
  • She Spent So Many Hours Under the Sun Lamps
  • Family Business
  • Letter from a Filmmaker: Chantal Akerman
  • De droomproducenten
  • The Man with the Suitcase
  • Tell Me
  • News from Home
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
  • Chantal Akerman: An Interview
  • Around Jeanne Dielman
  • Je Tu Il Elle
  • ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
  • La chambre
  • The Beloved Child, or I Play at Being a Married Woman
  • Saute ma ville
  • Knokke: une petite fiction 2
  • Examen d'entrée INSAS

Behind the camera

  • No Home Movie
  • Now
  • Almayer's Folly
  • My Mother Laughs Prelude
  • East with Sonia Wieder-Atherton
  • Maniac Summer
  • The State of the World
  • Nightfall in Shanghai
  • Interview with Babette Mangolte
  • Interview with my mother, Natalia Akerman
  • Down There
  • Tomorrow We Move
  • Making of Tomorrow We Move
  • From the Other Side
  • With Sonia Wieder-Atherton
  • The Captive
  • South
  • Chantal Akerman by Chantal Akerman
  • The Day When...
  • A Couch in New York
  • Portrait of a Young Girl at the End of the '60s in Brussels
  • From the East
  • Moving In
  • Lest We Forget
  • Night and Day
  • For Febe Elisabeth Velasquez, El Salvador
  • One Day Pina Asked...
  • American Stories: Food, Family and Philosophy
  • Three Stanzas on the Name of Sacher
  • Franz Schubert's Last Three Piano Sonatas
  • Golden Eighties
  • The Hammer
  • Seven Women, Seven Sins
  • Letters Home
  • Portrait of a Lazy Woman
  • Mallet-Stevens Street
  • The Eighties
  • Paris Seen By... 20 Years After
  • Family Business
  • I'm Hungry, I'm Cold
  • Letter from a Filmmaker: Chantal Akerman
  • The Man with the Suitcase
  • Toute une nuit
  • Hôtel des Acacias
  • Tell Me
  • The Meetings of Anna
  • News from Home
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
  • Je Tu Il Elle
  • Hotel Monterey
  • Le 15/8
  • Hanging Out Yonkers
  • La chambre
  • The Beloved Child, or I Play at Being a Married Woman
  • Saute ma ville
  • Knokke: une petite fiction
  • Bruxelles: La soeur et la mère de Marilyn
  • Knokke: une petite fiction 2
  • Bruxelles: à la Foire du Midi
  • Examen d'entrée INSAS

Pick up exactly where you left off.

Tick an episode and the rest sorts itself out: what is waiting tonight, what airs tomorrow, what you abandoned two years ago. And under every episode, what other people made of it, without ever spoiling what comes next.

Create an account

Free, no ads.

Chantal Akerman · moviemoood