Júlio Bressane

Júlio Bressane

Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.

On screen

  • Phantom of the Opera
  • The Queen of the Night
  • Strade perdute - Filmmaker 23
  • The Long Voyage of the Yellow Bus
  • Nietzsche em Português
  • Quando a Coisa Vira Outra
  • Candango: Memoirs from a Festival
  • A Mulher da Luz Própria
  • Nietzsche Sils Maria Rochedo de Surlej
  • Dunas do Barato
  • About Cinema
  • Earth
  • Copacabana, Mon Amour: A Restauração
  • Sentimental Education
  • Drumming Beat of the Stars
  • Avacalha e se Esculhamba
  • A Vermelha Luz do Bandido
  • Belair
  • Ver Viver Reviver
  • A Miss e o Dinossauro
  • A Linguagem do Cinema
  • 50 minutos e 23 segundos com Júlio Bressane
  • Dark Galaxy
  • Galáxia Albina
  • Torquato Neto, O Anjo Torto da Tropicália
  • Talking Cinema
  • Brás Cubas
  • Tabu
  • Naive Cinema
  • Horror Palace Hotel
  • The Agony
  • Chinese Viola
  • Lágrima Pantera: A Míssil
  • The Hullabaloo Family

Behind the camera

  • Phantom of the Opera
  • Pitico: Hermes Ayres Azevedo (1881-1959) - Local Historian
  • Flashes of Critiques Metaphysical Murmurs
  • Capitu and the Chapter
  • Rudder of Destiny
  • Ideogram
  • The Long Voyage of the Yellow Bus
  • Nietzsche Sils Maria Rochedo de Surlej
  • Seduction of the Flesh
  • Beduíno
  • Kid
  • Venice 70: Future Reloaded
  • Sentimental Education
  • Drumming Beat of the Stars
  • Aperana Street 52
  • The Herb of the Rat
  • Cleopatra
  • Ver Viver Reviver
  • Passagem em Ferrara
  • Nietzsche em Nice
  • A Love Movie
  • Days of Nietzsche in Turin
  • Terra incógnita
  • São Jerônimo
  • Miramar
  • The Mandarin
  • Maria Bethânia: As Canções Que Você Fez Pra Mim
  • Maria Bethânia - As Canções Que Você Fez Pra Mim
  • O cinema do cinema – Criação e recriação da imagem no filme cinematográfico
  • Dark Galaxy
  • Antonioni and Hitchcock - The Image on the Run
  • Quem Seria o Feliz Conviva de Isadora Duncan?
  • Oswaldianas
  • Galáxia Albina
  • Sermões
  • Sob o céu, sob o sol, Salvador
  • Brás Cubas
  • Tabu
  • The Giant of America
  • Naive Cinema
  • Cidade pagã
  • The Agony
  • King of the Cards
  • Chinese Viola
  • O Monstro Caraíba
  • A Fada do Oriente
  • Lágrima Pantera: A Míssil
  • Crazy Love
  • Memoirs of a Strangler of Blondes
  • The Hullabaloo Family
  • Baron Olavo, The Horrible
  • Watch Out, Madame
  • The Angel Was Born
  • Killed the Family and Went to the Movies
  • Face to Face
  • Lima Barreto: Trajetória
  • Bethânia Bem de Perto: A Propósito de um Show

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Júlio Bressane · moviemoood