Rex Ingram

Rex Ingram

Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.

On screen

  • Camille: The Fate of a Coquette
  • Mary of the Movies
  • Snatched from a Burning Death
  • The Evil Men Do
  • The Moonshine Maid and the Man
  • Beau Brummel

Behind the camera

  • Baroud
  • The Three Passions
  • The Garden of Allah
  • The Magician
  • Mare Nostrum
  • The Arab
  • Scaramouche
  • Where the Pavement Ends
  • The Prisoner of Zenda
  • Trifling Women
  • Turn to the Right
  • The Four Horsemen of the Apocalypse
  • The Conquering Power
  • Under Crimson Skies
  • The Day She Paid
  • Humdrum Brown
  • His Robe of Honor
  • Black Orchids
  • The Flower of Doom
  • The Reward of the Faithless
  • The Little Terror
  • The Pulse of Life
  • Broken Fetters
  • The Chalice of Sorrow
  • The Great Problem
  • The Galley Slave
  • Should a Mother Tell

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Rex Ingram · moviemoood